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Pedro Rodríguez Garrido

February 11, 2013, 5:42 am
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PEDRO RODRIGUEZ GARRIDO

Fecha de nacimiento: Huelva 26 de Mayo de 1971

1998 Lcdo. en Bellas Artes por la Universidad de Sevilla, especialidad de pintura.
























PREMIOS

2012-Premio adquisición en el XI Certamen Cultural Virgen de las Viñas.Tomelloso.Ciudad Real.

2010-Seleccionado en el III Certamen Nacional de Pintura Ciudad de Badajoz.Badajoz.

2010-Seleccionado en el XXIV Premio de Pintura Emilio Ollero.Jaén.

2010-Finalista VI Edición Premio Internacional de Pintura Julio Quesada.Crevillent(Alicante)

2009-Premio y adquisición en el Certamen cultural Virgen de las Viñas.Tomelloso.Ciudad Real.

2003- Mención honorífica. 46 Salón Nacional de pintura Ciudad de Ayamonte.

2001- Primer premio. 44 Salón Nacional de pintura Ciudad de Ayamonte.

2001- Mención honorífica. XV Salón de Otoño de pintura. Huelva.

2000- Primer premio. Certamen Nacional de Bellas Artes Excmo. Ateneo de Sevilla.

2000- Primer premio. VI Certamen Nacional de pintura La Palma del Condado. Huelva.

2000- Primer premio. XIII Certamen Nacional de pintura Valverde del Camino. Huelva.

2000- Primer premio. II Certamen Nacional de pintura ARTEJOVEN 2000. Huelva.

2000- Primer premio. XLIX Certamen Nacional de pintura. Gibraleón. Huelva.

2000- Accésit.43 Salón Nacional de pintura Ciudad de Ayamonte.

1999- Mención honorífica. XII Certamen Nacional de pintura Valverde del Camino.

1998- Mención honorífica .XI Certamen Nacional de pintura Valverde del Camino.

1996- Primer premio. II Certamen Nacional de pintura La Palma del Condado.





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Harold Muñoz

February 11, 2013, 6:18 am
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"Harold Muñoz commença ses études aux Beaux-Arts en 1996 au Venezuela. 
Il vient d'une longue lignée familiale de peintres espagnols. Sa formation artistique la plus importante a commencé aux cotés de son père et ensuite à Paris.

Son propre réalisme lui enseigne la rigueur de la mise en page d’un tableau, le lyrisme de la composition lui notifiant l’importance du dessin et de la perspective tout comme la poésie dans le mélange des couleurs. 
Pendant des années Harold Munoz a réalisé des portraits pour la haute société latino-américaine, mais ayant laissé de côté la vie mondaine, Harold Munoz 
s’est exclusivement consacré à la peinture du nu à travers sa série de tableaux « le nouvel Ophélisme » 
Tantôt réaliste, tantôt romantique, son univers dépeint l’amour, la mort, les joies, les doutes et les craintes à travers des mises en scène narratives. 
Imprévisibles, ses oeuvres telles de petites histoires racontées en images, intriguent. "



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Hava Raucher - חוה ראוכר

February 11, 2013, 8:14 am
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Education
1971  B.A. Tel-Aviv University.
1974  Avni Art Institute
1980  M.F.A Washington University, St. Louis, Mo. USA.

Teaching  positions 
1983-1988  Avni Art Institute Tel Aviv Israel 
1991-1993  Art Department, Kay College Beer Sheva Israel
1988-            Art Department Talpiot College Tel Aviv  Israel 









Awards and Scholarships
1974  American-Israel Cultural Foundation Scholarship
1076  Israel Ministry of Education Scholarship
1977  American-Israel Cultural Foundations Grant
1981  Bronstein Purchase Award, Evansville Museum of Arts and 
            Science, Indiana, USA

Collections
Evansville Museum of Arts and Science, Evansville, Indiana, USA















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Mathisse Arendsen - Mathisse H.B.J. Arendsen

February 11, 2013, 12:24 pm
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Mathisse Arendsen, (1948) studeerde aan de academie voor Beeldende Kunsten in Arnhem.
Arendsen;“ Een beeldend kunstenaar moet zich niet direct beperken tot slechts één stijl of karakter van beeld, maar zou, alvorens zich te specialiseren, zoveel mogelijk wegen moeten bewandelen.
Door de jaren heen heb ik een twintigtal stijlen en de daarbij behorende technieken uitgediept. Dit heeft werk opgeleverd dat onderling in stijl en techniek verschilt, maar elkaar op logische wijze opvolgt”.
In deze werkwijze zijn drie fasen te onderscheiden;
- het bewandelen van een zo breed mogelijk veld
- het zoeken van syntheses
- het toespitsen van combinaties tot ’n eenheid, een balans om zo de eigen       .
  identiteit te vervolmaken.
“Als dualist hanteer ik dit basisprincipe in zowel de techniek als in de thema’s.
Het geheel is niet de optelsom der delen maar het tegenover elkaar zetten van uitersten in vorm en kleurgebruik hetgeen een spanningsveld oplevert waarbinnen de kijker de sleutel tot het onderbewustzijn aangereikt krijgt”. De titels zijn vaak geen verwijzing naar de inhoud, het beeld laat ik hierdoor vrij ter interpretatie voor de kijker met de discussie als doelstelling.
Gezien het verhalend karakter van mijn werk is het haast onmogelijk te ontkomen aan het langzaam loslaten van de figuratie omdat deze op den duur niet krachtig genoeg is emotie om te zetten in beeld. Het natuurgetrouwe beeld is echter wel het uitgangspunt voor eventuele abstrahering... niets moet, alles mag. Hiermee sta ik op de vooravond van wat ik vrij werk noem’. 
Arendsen is docent tekenen en schilderen, schrijft gedichten, korte verhalen en romans.
Bij uitgeverij Freemusketeers werd zijn roman “Ana’is” en de gedichtenbundel “het Woord liefde” uitgegeven. Bij uitgeverij Boekscout werd zijn bundel “Tekens” uitgegeven.
Het werk van Mathisse Arendsen is opgenomen in collecties in binnen– en buitenland.


Thanks Matisse Facebook















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A-HOUR

February 11, 2013, 3:54 pm
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Winslow Pels

February 11, 2013, 5:54 pm
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Winslow Pels is a published author and an illustrator of children's books













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Edward Taylor

February 12, 2013, 4:31 am
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"In my current work I choose to depict the man-made environment which I inhabit and interact with on a daily basis. I like to observe and record as accurately as I can. I make the scene my own by painting the view from an unusual angle which in some cases can often juxtapose different elements and presents the vista in a new light, or by adding loaded imagery, changing adverts, road signs etc. I have a keen interest in architecture especially ecclesiastical, I enjoy exploring in my work how building styles/ functions can compliment or be at odds with one another."


source




"I am a Bristol based artist.
My current work is influenced by the architectural diversity of Bristol, particularly its abundance of
ecclesiastical buildings.
I take inspiration from the rich historical tale that surrounds the periods of building and neglect in the
city. This is a major factor in buildings from many periods existing together.
I mainly work in oil, pen and ink."


source

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Elvira Baranova

February 12, 2013, 4:44 am
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"I was born in Vologda, North of Russia. Art has been a part of my life since childhood. For many years I have lived in several European countries and worked in the traditional 2D animation and illustration before returning to painting.I moved to New Zealand in 1998 and was working as a animator, illustrater for several animation studios in Wellington and same time has experimented in different mediums and techniques (watercolor and acrylic with oil) as a painter. My piece has a slightly surreal flavour. Inspired by the world's myths, fables, and tales of imagination I'm desires to create works that will 'delight' or 'enchant' the viewer. I wants my work to add up to more than a beautiful if sometimes 'magical' looking work of art. In 2010 I was awarded a for the Best Water Colour at the Rodney District Art Awards 2010."
Elvira Baranova








Education
"I studied painting, book illustration and animation at Republican College of Art, the Polytechnic University and the Artists Animator's Course at Kiev, Ukraine. My first solo exhibition was held at the McGregor Wright Gallery in Wellington, 2001. Since that time I'm regular exhibitor a the New Zealand Academy of Fine Arts and Wellington's array of galleries and organisations. My painting are in private collections both within New Zealand and around the world. In 2004 I completed Diploma of Multimedia at the Natcoll Design Technology of Wellington and was employed as a 2D and 3D Matte/Digital Painter, storyboader, character designer, art concept artist for Huhu Studios and graphic design artist in the online gaming industry while continuing to pursue my own work as a painter. Since 2009 I has worked as a full time, professional artist., "

Elvira Baranova







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Evelyn Taylor

February 12, 2013, 5:15 am
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I don't have any information about the artist (if you know tell me ...)

(Born 1925 U.S.A. ? I'm not sure ...)



















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Satoru Koizumi - 小泉悟

February 12, 2013, 6:47 am
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1983 Bron in Miyagi, japan
2009 Graduate Stadies at Okinawa Prefectural University of Arts

Prize
2007 ART MEETS ARCHITECTURE COMPETITION
A Judge Special Prize / Excellent Prize














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Mário Gruber (1927 – 2011)

February 12, 2013, 2:00 pm
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Mário Gruber Correia (Santos, 1927 - Cotia, 28 de dezembro de 2011) foi um pintor, gravador, escultor e muralista brasileiro

Começou a pintar em 1943. Entrou para a Escola de Belas Artes de São Paulo em 1946, e no ano seguinte ganhou o primeiro prêmio de pintura na exposição do grupo 19 Pintores. Em 1948, fez sua primeira exposição individual.
Estudou gravura com Poty e trabalhou com Di Cavalcanti e Cândido Portinari.
Em 1949, graças a uma bolsa de estudos, mudou-se para Paris, onde estudou na École Nationale Supérieure des Beaux-Arts, sendo aluno do gravador Édouard Goerg. Voltou para o Brasil em 1951, quando fundou em Santos o Clube de Gravura, que mais tarde se chamaria Clube de Arte. Foi professor no Museu de Arte Moderna de São Paulo e na Fundação Armando Álvares Penteado. A partir de 1979, depois de uma breve passagem por Olinda, passou a dividir suas atividades entre as cidades de São Paulo, Paris e Nova York
Morreu aos 84 anos, numa clínica geriátrica em Cotia, onde estava internado para se tratar de complicações causadas por um câncer.













Depois de um início de carreira marcado pelo Expressionismo, Gruber dedicou-se a obras de realismo social na década de 50, ao lado de seus companheiros do Clube de Gravura. Nos anos 70, experimentou recursos fotográficos, ao mesmo tempo que assimilava influências da televisão e do cinema.
Mais tarde, suas composições passaram a apresentar personagens como anjos e robôs, vinculando-se ao realismo fantástico latino-americano
Colaborou com o arquiteto Vilanova Artigas criando os painéis da Casa dos Triângulos, da Galeria Califórnia e do Ginásio Estadual de Guarulhos. Também criou os painéis do Aeroporto Internacional de Cumbica e da Estação Sé do Metrô de São Paulo.
Telas de Mário Gruber compõem o acervo de museus como o Wisconsin State Museum College Union, o Museu Pushkin (Moscou), o MASP, o Museu de Arte Brasileira (São Paulo) e o Museu da Bahia (Salvador).














Em 1966, o artista foi tema do documentário de curta-metragem Mário Gruber, dirigido por Rubem Biáfora. Com música de Rogério Duprat, o filme recebeu o prêmio de melhor curta do Instituto Nacional do Cinema naquele ano.
Outro cineasta que dedicou um filme à sua obra foi Nelson Pereira dos Santos, também com um documentário de curta-metragem: A Arte Fantástica de Mário Gruber,de 1982.
A última participação de Gruber nas telas foi como um dos artistas apresentados no curta Schenberguianas (2006), de Sergio Oliveira e William Cubits, que mostrou a relação da arte com o trabalho do físico Mário Schenberg









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Evguenia Ioganov

February 12, 2013, 3:51 pm
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Evguenia Ioganov was born in Omsk, Russia in 1958, and spent her early years studying art in Junior Art School. After finishing High School in 1975, she was accepted to study art in the Serov's College of Fine Arts in St.Petersburg for four years and then at the Academy of Fine Arts for six years. In 1984 Evguenia complete her Master Degree as a Theatre Artist and worked as a Head Master Artist in Omsk Dramatic Theatre.
















            In 1991 Evguenia immigrated in Canada. During this period of time she has participate in many exhibitions and has received 18 National and International awards. Her work is found in many private and corporate collections across Canada, United States, England and Permanent Collection of Government Newfoundland and Labrador.








            Evguenia represents Canada in Cultural Program for Winter Olympic Games in Nagano City Japan.
















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Anya Stasenko and Slava Leontiev - Ани Стасенко и Славы Леонтьева

February 13, 2013, 2:58 am
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Anya Stasenko and Slava Leontiev - Ани Стасенко и Славы Леонтьева











Age?
1965 and 1967 birth years.

Education?
Kharkov Art College (painting department, specialty - teaching painting and drawing at school), Kharkov Art and Industry Institute (department of graphics, specialty - easel graphics, book design, poster), Graduate Department of Art History and Theory of Kharkov Art and Industry Institute (specialization - the history and theory of art, specialty - art researcher).

















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Suzi Mather

February 13, 2013, 4:07 am
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"Suzi Mather is not the product of any art school or college. There are no degrees hanging on her walls, only the multitude of awards and ribbons given to her by those with degrees in the arts. She is truly the epitome of the born artist.

From the first, Suzi has painted what she knows and loves. A great animal lover and horsewoman, her paintings evolved from horses, cowboys and Indians, through farm animals and children to her current passion - cats.

Suzi has developed a method almost unheard of in the use of water colors, painting from dark to light rather than light to dark as virtually all other watercolorists do. This enables Suzi to achieve the deep, rich colors and brilliant highlights that draw the eye to her paintings.

Mellowed and tamed by years of struggle, her eye now sought that which was pleasing and healing. The result has been watercolor paintings of cats which are neither cutesy nor stylized, but very real in a warm, almost touchable sense."





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Leaf Carvings

February 13, 2013, 5:30 pm
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Happy Valentine's Day



"A new art form emerging out of China. Creating these leaf carvings is no easy process, taking the delicate precision from a skilled artisan. With a knife, the leaf is slowly scraped of its outer layers, eventually revealing a near transparent surface. Special care is given to keep the veins intact to preserve the stability of the leaf.
Artists prefer using the leaves of the Chinar tree, native to India, Pakistan, and China. Resembling maple leaves, the distribution of veins in the Chinar leaves are the best suited for sculpting--and they are considered 'lucky' in Chinese tradition.
The process of producing a single leaf carving is said to take months of careful work. When the artwork is finished, the leaves are then preserved and framed--ensuring that they will last for decades




















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Guy Troughton

February 14, 2013, 7:02 am
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Guy Troughton is one of Australia’s most respected watercolour artists.  Best known for his beautiful bird, wildlife and landscape paintings, Guy’s work captures the spirit and essence of the natural world with passion. Imbued with mystery his paintings have a calm, sometimes surreal quality to them.  A fervent naturalist, Guy loves the challenge of painting watercolours en plein-air (outdoors) as well as in his studio.  When he is not painting, Guy promotes the medium of watercolour through the prestigious Australian Watercolour Institute (AWI) and also teaches watercolour classes and workshops – sharing his passion and knowledge with others.





Born in the UK, Guy moved to Australia in 1997 and currently lives near Manly in Sydney with his wife Ellie and their two sons.










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Peter H. Marshall

February 14, 2013, 7:29 am
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Peter was born in Western Victoria in 1964 and was raised on a property at Kanya until the age of seven. This environment ignited his life long interest in drawing, particularly the trees growing on and around the property. Peter was encouraged by artists and his parents from a young age to paint, first in watercolours age four and oils at age nine. After attending the Ronald Crawford School of Painting’ (Meldrum School of Tonal Impressionism) in Melbourne for one year, age seventeen, Peter moved to Sydney in 1989 to study drawing and etching full time at the Julian Ashton Art School, where he won the Inaugural Sir William Dobell Scholarship for Drawing in 1990. In the same year he became an assistant Tutor at the school, was awarded the Robert LeGay Brereton Prize for drawing at the Art Gallery of NSW and selected as a finalist in the Victorian Young Achiever Awards.

In 1991, he was awarded the prestigious A.M.E Bale Travelling and Educational Scholarship in Melbourne ($40,000), enabling him to embark on an extensive study tour throughout Europe, the United States and Japan. During this period Peter studied the work and techniques of the European, American and Japanese Masters. He lived and worked in private studios for six months in Amsterdam and Paris and visited eleven countries during 1992-93. During a three month stint in London, Peter attended lectures on the old masters techniques at the National Gallery of London. On his return to Australia, the artists’ interest and ability in painting portraits developed to a high degree and was advised by the Australian artist Sir William Dargie to pursue this aspect of his work.

In 1995 the artist was employed as a teacher of Painting, Drawing and Etching at the Julian Ashton Art School in Sydney and worked on his paintings in a private studio in York Street in the city. The following year he moved to the Central Tablelands of NSW where he taught drawing at the Western Institute of Tafe. After purchasing some land in a small village in the Central West of New South Wales in 2004, Peter built his own house over a period of years and worked on his art and commissions in a studio on the edge of the village. During this period his interest in trees was re-kindled and he embarked on several series of works relating to the theme.

In 2010 the artist began visiting the Blue Mountains of NSW regularly where he has now established a studio in idyllic surroundings. Peter has continued to paint and draw his favorite subjects and is known as a painter of people and trees.

Since 1981 Peter has accumulated a total of sixty two awards and honors for his work, including, three Gold medallions for most outstanding artist at the Dandenong Festival of Music and Art for Youth 1988 -1989 and 1990, The Norwich Industries Award – Camberwell 1989, The Bicentenary and H.B.A Award’ – Dandenong 1988 and 1990, The Alice Bale Travelling and Educational Scholarship 1991, The Calleen Acquisition Award – Cowra 1998, and Finalist in the Mosman Art Prize – Sydney, the Dobell Drawing Prize AGNW  2001-2005 and 2009, the Adelaide Perry Drawing Prize 2006-2007-2010 and the Mortimore Art Prize/Awards 2007-2009-2010-2011 and 2012.

Peter has received multiple portrait and tree themed commissions, has been exhibited in fifty five group shows in Regional and Commercial Galleries in Victoria and NSW, held nine solo exhibitions in Melbourne, Sydney and Western Victoria and his work is represented in many private and some corporate collections in Australia, Belgium, Switzerland, USA, UK, Japan, Hong Kong and New Zealand.




EDUCATION AND TRAVEL
 2003
Sculpture from Life Ingrid Morley Sculpture School, Naremburn, Sydney
 1998
Life Drawing (with David Brian Wilson), CharlesSturtUniversity,Bathurst,New South Wales
 1993
Seven-days in residence, Arthur Boyd’s Riversdale and Bundanon properties Shoalhaven, New South Wales
Fourteen-days in residence, ‘ Winton House’, private study of the Ogilvy Art Collection Pencaitland, Scotland
Life Drawing Academie de la Grande Chaumière, Paris, France
1992-1993
Study tour of major art museums studios and galleries United Kingdom, The Netherlands, Belgium, France, Spain, Italy, Austria, Germany, Sweden, Japan and the United States of America
 1992
Three months in residence, Studio Paris (private study) Paris, Fran
 
Series of lectures on masters works National Gallery London, United Kingdom
Life Drawing Heatherley School of Fine Art, London, United Kingdom
Three-months in residence, shared studio Amsterdam, (private study) Amsterdam, The Netherlands
 1989 to 1991    Drawing, Etching and Artistic Anatomy (full-time study), Julian Ashton Art School       Sydney
 1983    Tonal Painting Ronald Crawford School of Painting (Max Meldrum School of Tonal Impressionism), Melbourne



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David Costello

February 15, 2013, 2:43 am
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Originally trained as a graphic designer, David was employed as an artist by Walt Disney Animation Australia for nearly a decade where he worked in a variety of artistic roles including the compositing and visual effects area, where he developed a strong eye for composition and the effects of light which is prevalent in his work.

David left Walt Disney in 2007 and commenced full time studies at the highly respected Julian Ashton School of Art under numerous teachers including Archibald winner Francis Giacco, and Alice Bale Scholarship winners Keith Dewell, Sam Wade and Chris Browne. 

In 2009 - 2010 he travelled through Europe, studying for seven months at Studio Escalier in France. This was followed by a period of private study in the United States. David completed a Masters of Visual Arts at the Australian National University, majoring in oil painting in 2012.



Education
2012               Andrea J Smith/Studio Canova Workshop
2011 - 2012    Australian National University, Master of Visual Arts
2009 - 2010    Studio Escalier - France, Independent study - United States
2007 - 2008    Julian Ashton School of Art - Sydney (Diploma of Fine Art)
1997 - 2006    Walt Disney Animation - Sydney
1995 - 1998    Design Centre, Sydney (Associate Diploma Graphic Design)

Awards/Exhibitions   
2012    Finalist - Mosman Art Prize, Mosman Art Gallery
2012    Finalist - Lethbridge 10000, Lethbridge Gallery
2012    Winner - Winsor & Newton - Start Your Studio Scholarship
2012    Brunswick Street Gallery - Painting Group Show
2011    Highly Commended - Brunswick Street Gallery 40x40x40
2011    Finalist - Eutick Memorial Still Life Award, Coffs Harbour Regional Gallery
2011    Finalist - Lethbridge 10000, Lethbridge Gallery
2011    Finalist - Alice Bale Art Award Travelling Scholarship
2010    Finalist - Alice Bale Art Award Travelling Scholarship
2009    Waterway Merit and Jouffrault Work Study Scholarship, Studio Escalier
2008    Phillip Muskett Prize for Landscape Painting, Julian Ashton School of Art
2008    Winner - Alice Bale Art Award: Work on Paper
2008    Winner - Alice Bale Art Award: Oils or Acrylics
2008    Finalist - Alice Bale Art Award Travelling Scholarship
2008    Finalist - Eutick Memorial Still Life Award, Coffs Harbour Regional Gallery
2008    Finalist - Metro 5 Art Award, Metro Gallery
2007    Finalist - Stanthorpe Art Prize, Stanthorpe Regional Art Gallery
2007    Marjorie Santow Award for fine drawing (Julian Ashton School of Art)
2007    Brett Whitely Scholarship (Julian Ashton School of Art) 2007











Artist Statement
I am particularly interested in the way light interacts with the variety of textures, colours and materials present in old, worn, still life objects.  The resulting abstract arrangements of tone and colours can express qualities beyond physical form, i.e., strength and frailty, chaos and tranquility, melancholy and happiness, hot and cold, young and old.



more works here






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Peter Schipperheyn

February 15, 2013, 3:03 am
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Acclaimed as Australia’s pre-eminent sculptor in marble of the human figure, Peter Schipperheyn has traveled annually to the marble quarries of Carrara Italy, since being awarded an Italian government scholarship in 1979.
Largely self taught he has dedicated himself to mastering the difficult medium of carving marble.

In 1989 Mr. Edmund Capon. [Director, Art Gallery of N.S.W] wrote the following about the sculpture of Peter Schipperheyn

"In the annals and history of Australian art, sculpture has forever taken second place to the art of painting. It is a fact that the landscape has been the source of eternal inspiration for the Australian artist, and painting is the medium for the expression of the landscape theme in art. The figurative traditions, the ultimate source of inspiration for Western sculpture, have therefore received essentially scant attention in Australia.

Peter Schipperheyn is one of the rare exceptions to that rule. His art and vision is wholly inspired by the great figurative traditions in Western art: his delicate drawings reflect an extraordinary sensitivity for the human figure, whilst his majestic marble sculptures are expressions of the grandeur and vision that aspire to the greatest European traditions. He is currently unique in Australia; no other living Australian artist has so totally dedicated himself to seeking a truly contemporary expression of Western arts most inspired tradition.

Peter Schipperheyn’s work expresses hope, sensitivity, classicism, contemporaneity: it shows above all that the fundamental concerns and emotions of mankind, like great art, transcend time."

Edmund Capon, Director Art Gallery of New South Wales, Sydney.







1955 · Born Melbourne, Australia.

1975 · Started training in painting and drawing at Caulfield Institute of Technology.

1976 · Traveled to Europe. Lived in Rome for nine months. Attended Academia di Belle Arti, Roma.

1978 · Graduated with Diploma of Fine Art from Caulfield Institute of Technology Awarded Abercrombie Sculpture Prize for a commission for monumental sculpture "Senility". Awarded Camberwell Rotary Prize for Painting. H.F.C. Drawing Prize. Dandenong Festival Drawing Prize.

1979 · Installed "Senility" at Abercrombie Galleries. Size: 7 meters high. Medium: Fiberglass, timber and steel.· Awarded Italian Government Scholarship to study marble carving. Studied for one year at Academia di Belle Arti, Carrara, Italy.· Invited to exhibit at Caulfield City Council Exhibition of Victorian Sculptors.

1980 · Returned to Australia bringing marble and bronze works executed in Italy for a one-man show at Australian Galleries in Melbourne, Australia.






AWARDS, PRIZES COMMISSIONS [Many of these works can be seen in the Gallery]
1978 Awarded, Camberwell Rotary Prize for Painting>

H.F.C. Drawing Prize

Dandenong Festival Drawing Prize Abercrombie Sculpture Prize, Commission for Monumental sculpture "Senility" later renamed "The grip of time"

1979 Awarded Italian Government scholarship

1981 Commission for "S..HE" monumental work in marble

Commissioned to carve a "Madonna" for Carmelite Order, Melbourne

1983 Awarded Individual Artist Development Grant from the Victorian Ministry for the Arts

Commissioned by Jack Chia "Mother and child" monumental work for No. 1 Collins Street, Melbourne

Commissioned by Carlton & United Breweries to do a sculpture "Clydesdale horse" for the Victorian State Theatre Building, Melbourne

Commission; Returned Service League for a 3 meter high sculpture for the Alfred Square, St Kilda.

1987 Commission; Sydney City Council, to create a commemorative work for Dame Joan Sutherland's 60th Birthday to be located in the Sydney Town Hall Commission "Asleep" grave piece for the late Laurie Matheson at Mt. Macedon Cemetery

Commission; monumental work with assistance from Mr. Ken Myer "Paura del' intimita" for the Moree Plains Gallery, N.S.W.

1989 Commission for St Stephen’s Cathedral in Brisbane of a new Baptismal Font for the Baptistery

1990 Commission portrait of Mr. Bruno Grollo in marble, Melbourne

1991 Commission portrait of Sir Eric Westbrook for the National Gallery of Victoria>

1992 Awarded Wynne Prize, winning works (two colossal heads in marble purchased for collection of Art Gallery of New South Wales.

1993 Commission Portrait of Patrick White, Noble Prize laureate. Portrait Commission, Australian of the Year for National Australia Day Council

1994 Commenced monumental work "Figure Femminile".Commission "Our Lady Sculpture" Notre Dame University Fremantle

1994-96 "Stations of the Cross" fourteen relief panels in bronze Notre Dame University, Fremantle.

1996 Relief Panels in fiberglass executed for Village Roadshow for cinema complex’s in Singapore, Jam Factory, and Melbourne Casino.

1996 "Processional Cross"-for the Chapel at Notre Dame University, Fremantle.

1997 Carved panels for the new altar, St Patrick’s Cathedral, Melbourne. Life size bronze of Phyllis M Gration, and her dog "Lady Nell" founder of the Lady Nell Seeing Eye Dog School.

1998 "Eternal Flame" sculpture in black granite for the Holocaust Centre,Melbourne  "Peter Pan" sculpture in bronze, private commission, Rockhampton, Queensland.

1999 St Patricks Cathedral Commissioned to carve inscriptions and "Paschal Lamb" for the Cathedral Walk. Completed series of Private Commissions

2000 "Male Figure with Mask of Tragedy", "Female Figure with Mask of Comedy" colossal figures for Westin Hotel City Square Melbourne. "Madonna and Child" Lifesize bronze figures, Commissioned Whitefriars College. "Madonna and Child" Commission for Australian Catholic University Melbourne. Grave Piece for G. Powell Commissioned and installed Sringvale Cemetery.

2002 "Madonna and Child" sculpture in Carrara Marble commissioned by the Australian Catholic University for the Chapel

2004-6 Monumantal bronze "Thus Spake Zarathustra" commissioned by the Dame Elisabeth Murdoch Sculpture Foundation


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Eugenie Lee

February 15, 2013, 3:35 am
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born 1974, South Korea.
Live and work in Sydney, Australia

Education
2010 BFA Sydney Collage of the Arts, Sydney
1999 Diploma in Fine Art for paintings and drawings, Julian Ashton Art School, Sydney.






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