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Jared Janovec

March 9, 2013, 6:40 am
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2002 MFA Ceramic, Henry Radford Hope School of Fine Art, Indiana University, Bloomington, IN
1999 BFA Ceramics, Kansas State University, Manhanttan, KS


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ARTIST STATEMENT
Generally speaking, my interest as an object maker lies in a desire to create narratives that reference the history of the human animal and it's evolutionary quest to both tame and isolate itself from that which is wild. The curiosities of human invention, discovery and power become fodder for such creations. In the work, there are core formal references to both human anatomy and various botanical and biological forms as a foundation for staging such aforementioned narratives. There is also a conscious effort to provide relationships between disparate associations such as big and small, wet and dry, light and dark, old and new, life and death, ripeness and decay and on and on... I hope to project the possibility of a multitude of metaphors, interpretations and questions about our existence through layering such information within each composition. All of this tends to lie on the surface but, at some deeply seeded level there is the personal spectrum of life experiences, wonder and unknowns that drive the work. 

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Toril Redalen

March 9, 2013, 10:06 am
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Artist Statement

As an artist I use the material in different state of being in order to challenge and expand people’s perception of their surroundings and belongings. Using different approaches, I visualize the relationship between thought and the material present. Taking interest in spatial issues, I work with exteriors and interiors containing real and fabricated history. The symbolically charged beauty of nature, the expectations of total freedom; I am fascinated by the modern conception of nature and how this can create controversy. I also reflect on the fundamental Romantic feeling of loneliness that seems to be the concern of most contemporary representations of nature.

My work is driven by “being in” the process, with the primary motivation of exploring. My aesthetic hinges upon a minor de-contextualization of a thing or feeling so that it can be used a means for us to re-experience the familiar in a way that lets us see it again for the first time. My fulfilled work will have an introspective supple quality, like the way a mist shrouds and soften a form, giving it potential to slip just before you fully recognize it. I seek creation, with the material being able to embrace more than a faded cast of an action once happened. I am fascinated by the clays ability to be reused and transformed into future forms and ideas, in contrast to its hard and resistant state as ceramics.

In a world that seems to have fallen either apathetic or frenetic in wanting to make a difference, I hope my work is an honest reminder of the importance of the reality of dreams, and the necessity of feeling a little overwhelmed.
T.R 2010





*”The romantic, sentimental, mythological attachments accumulated in recent past have been necessarily shed like old skin. With this current generation of artists´works (post mid 1990´s); a cool re-evaluation of the intrinsic properties; history; social position; and physical nature of the medium are well underway. Material/Process as an integrated aspect of the concept; as a vehicle with which to make a critical statement, or take a particular stance of on an issue; from the artist`s personal position.”
R.Launder.










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Yeon Joo Lee

March 11, 2013, 4:38 am
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Education 
2012-2014 MFA Ceramics   Rgode Island School od Design (RISD) providence, RI
2011  BFA Ceramic    California College of Arts (CCA) Oakland , CA
2003 BFA, oriental Painting  Sung Shin Women's University, Korea





Statement
Fetters
2011
Undergraduate Senior Show

Most people experience frustration, hold onto resentment, and dream of escape from their own harsh reality 

while carrying burdens on their shoulders. Even though all people live with different weights and sizes of 

burden, we all carry similar bags of worries and share similar destinies. These "fetters of life" are 

unavoidable. That is the way our lives work: through thick and thin, high and low.





2012

I express the emotions that I get from interacting with the people around me. These emotions include the 

pressures from social expectations, the stress from constant daily conflicts among people, and the loneliness 

from the duplicity of people. I am inspired by common poses such as leaning, holding, stretching and kicking. 

The motions of the body create energetic lines. From these observations, I get ideas and compositions for my 

work and these ideas often take concrete shape of awkward or funny poses. The physical tension of these 

figures reference the psychological tension of our complex human relationships.





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Qin Dahu - 秦大虎

March 11, 2013, 5:05 am
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"Qin Dahu,Born in Penglai, Shandong Province, Qin Dahu enrolled in the Middle School of China Fine Arts Academy in 1956. In the two following years, he studied in the Oil Painting Department of the China Fine Arts Academy. Aside from being a professional artist who receives government allowance, he is also professor at the China Fine Arts Academy, a director of the Oil Painting Department and vice chairman of the Oil Painter's Association. In 1964, his work name‘Growing up in the War’ (which has since been collected by the China Fine Arts Museum) was issued and published in twenty magazines nationally. 















The pinnacle of his career was between 1974 and 1983, during which time, he painted, among others‘Tianxi Sister in Law’and‘The Older’. In 1982, Lu Tiao was selected for the Paris Salon. In 1989, he went to America and signed for limited press works named‘Dragon, Tiger and Horse’. He visited Australia and held group exhibitions together with Xiao Feng in 1994, receiving the award of excellence for ‘Dragon Flying and Leaping Lion’."









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Z.L. Feng

March 11, 2013, 5:40 am
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International Award Winning Artist 

Growing up in Shanghai, Feng began painting at age seven and never stopped, experimenting with different mediums, including pastel, oil, and egg tempera, before choosing his favorite, watercolor. “With watercolor you cannot cover your mistakes, so you must know what you are doing,” he says. He finds inspiration for his lovely landscapes in the countryside of the New River Valley: “Usually I go around­­ - to the river, the forest, the lake – to try and find interesting compositions.” Those familiar with Feng’s art are also captivated by his portraits of the people of Tibet, Native Americans of New Mexico, Southern farmers, and others. “Capturing the personality and character is very important, and painting eyes is the most difficult aspect of portraiture,” he says. “I concentrate on serious portraits expressing my subject’s character, their life struggle and their vision. I am still learning and experimenting. My goal is to develop empathy between the viewer and my subject.”







Before coming to the U.S. in 1986, Feng received his BFA degree from Shanghai Teacher’s University and taught in its art department for four years. He completed the MFA degree at Radford University in 1989 where he is currently a Professor of Art. In his homeland of China, Feng exhibited his portraits, landscapes, and illustrations in juried exhibitions. Since coming to the U.S., his work has received acclaim throughout the country, garnering more than 300 state, regional, national, and international awards with many “Best in Show” awards and Gold Medal honors in major U.S. watercolor competitions.











Feng is an artist-signature member of the American Watercolor Society, the National Watercolor Society, and the Pastel Society of America (as master pastelist). His work has been featured in The Artist’s Magazine, American Artist, Watercolor 90, Watercolor Highlight, Omni Magazine, Watercolor Magic, and the Chinese National Magazine, China-Watercolor. Additionally, his paintings have been featured in five art books published and distributed worldwide. His work was shown in a broadcast that was aired on the local PBS affiliate station in Harrisonburg, VA. Feng’s biography has been listed in the Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S., Who’s Who in American Art, and American Art Directory.



Feng’s artwork can be found in numerous private and corporate collections, including Walt Disney, the U.S. Gulfstream Aerospace Center, and Orlando International Airport as well as the permanent collections of the Springfield Art Museum in Springfield, Missouri, and the Radford University Art Museum. His work is also in private and corporate collections in Singapore and China. 


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Yuan Qinglu

March 11, 2013, 7:18 am
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Curriculum Vitae
1983Joined the Chinese Artists Association
1988Postgraduate Department of the Central Academy of Fine Arts Engraving
1999Prints Contribution Award by China, "Lu Xun's engraving medal."
2000By China's State Council issued a "special government subsidy" expert title








Mini Biography


Qing-Lu is currently Professor, College of Handan. Department of the Chinese Artists Association, Chinese Literature and Art Joint prints, graphic art association vice chairman of Hebei Province, Handan City Artists Association, vice chairman of.


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Xin Shaomin - Xinshao Min - 辛绍民

March 11, 2013, 8:13 am
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Xin Shaomin - Xinshao Min




Xinshao Min: Born in 1957 in Qingdao City, Shandong Province. 
Advanced studies in the Painting Department of the Central Academy of Fine Arts in 1989. 















辛绍民：1957年出生于山东省青岛市。现为中国美术家协会会员、国家一级美术师、中国美术网艺术委员会理事、北京民族画院画家、青岛市书画刻字艺术家协会副会长。1989年深造于中央美院国画系。1994年春在上海美术馆举办个人画展。《初春》、《情系雨林》、《蕉林春晖》等作品曾入选由中国美术家协会主办的《第二届全国中国画展》、《第二届全国人物画展》、《第二届中国美术金彩奖》、《第二届中国美术家协会会员中国画精品展》等全国美展。并在十余次全国美展中获奖。《大唐击球图》被中国美术家协会特邀为全国百位知名中国画家赴法国参加中法文化年——中国风情国画展。作品发表于《美术》杂志及《中国书画报》等刊物上。《辛绍民画集》由黑龙江美术出版社出版发行，部分作品被澳大利亚、日本、韩国等美术馆及国内国家艺术机构收藏。




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Wang Maofei

March 11, 2013, 9:21 am
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Wang Maofei, member of China Association of Guangdong, occupation painter.




Wang Maofei, born in 1969 in Yunnan Qiubei, Zhuang, in 1991 graduated from the Department of Chinese painting of Yunnan Arts University Bachelor of Arts, master plexus ronson,Wang JinyuanVillage East, the professor. Taught at the Yunnan Art Department of Wenshan Teachers College, in 2000 in Shenzhen.
Achievements and Awards
In the first national bird and flower painting exhibition "works", "the famous painter Works Exhibition" (Excellence Award), "Chinese Painting Exhibition", "three hundred Beijing International Book Exhibition of contemporary sector", "the Eighth National Art Exhibition", Yunnan Art Museum, Shenzhen, the Baoan Museum of art exhibition, Shenzhen Art Gallery a exhibition. The fifth session of the Shenzhen "Spring Autumn" gold award. 2004 September to participate in the China Artists Association eleventh annual art fair, won the gold medal works.
Artistic characteristics
His writing is concise and lively, simple and pure and elegant, or fresh, or free and easy and meaningful. He stressed that the ink charm, with the help of flowers and birds painting~








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Tu Guoxi - 涂国喜

March 11, 2013, 11:13 am
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Tu Guoxi - BorninWuhanCity IslandCountyin 1966.
Admitted to theHubeiAcademy of Fine Artsin1983. 
AdmittedtotheGuangzhouAcademy of Fine Arts,Painting Departmentin1987, andgraduatedin1991. Bachelor of Arts degree.
















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涂国喜:1966年12月出生于湖北武汉市新洲县。1983年考入湖北美术学院附中。1987年考入广州美术学院中国画系，1991年毕业。获文学学士学位。
美术作品多次参加全国、省、市等美术作品展览并获奖。出版有《涂国喜工笔画选》、《二十一世纪广东省中青年美术家——涂国喜》、《叶落泥香》作品集。
现为广州书画研究院专业画家，国家二级美术师。中国美术家协会会员，广东省青年美术家协会常务理事。代表作有《大自然系列》、《天地之间》、《醉绿浓荫》、《叶落泥香》等。 
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Shen Shaomin - 沈少民

March 12, 2013, 3:14 am
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沈少民 Shen Shaomin
1956 Born in Heilongjiang province, China
Live and works in Sydney, Australia and Beijng, China


"Shen Shaomin adopts the role of being anthropologist, scientist, and author of his own fabricated mythologies. Constructed from real animal bones, his sculptures collectively create a bestiary of fictional creatures that are wondrous, frightening, and strange. Reminiscent of Borges's Book of Imaginary Beings, Shen's absurd assemblages exude an ancient wisdom, authenticating the magic of fable and folklore, while alluding to contemporary issues of genetic modification, consequence of environmental threat, and concepts of the alien and exotic.

In pieces such as Three Headed Monster and Mosquito, the skeletal remains of 'extinct' creatures are presented with the validity of museum display. Their colossal scale reinforces their imagined prehistoric origin as Jurassic curiosities and spiritual totems. Assembled from genuine ossified animal parts, his creatures are simultaneously familiar and perplexing, indicating a warped and uncomfortable process of evolution. Often carving into his surfaces, Shen adorns his creations with scrimshaw, further entwining humanistic reference into his disturbing zoological evidence.

This approach to sculpture as science fiction provides a futuristic backdrop to Shen's processes of making. His Experimental Studio No.2 - Sunflower, a bizarre triffid-like plant, is made from reconstituted meal, creating a hyper detailed skeleton quite literally from dust -- the type of monster expected from pixellised cgi special effects assembled with actual granular matter. This paradoxical slippage between the real and theatrical, futuristic and archaic is enhanced by the sculpture's presentation in a large beaker-like vase, suggesting a veracious scientific specimen."













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Tong Luo

March 12, 2013, 3:38 am
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Born in Huai Yang County of Henan Province, China in 1969, Tong Luo graduated with a Master’s Degree from the Academy of Fine Arts in Guanzhou in 1994. An extremely gifted young artist, Tong was one of only thirty students selected from across China to be accepted at the prestigious Central Academy of Fine Art in Beijingto pursue post-graduate studies.

Tong’s work is a compelling combination of light and contrast, specializing in landscapes and figurative work
that depict people moving along in their daily rhythms and routines. His attention to detail is meticulous and his portrayals of these life situations are accomplished with sensitivity and compassion.

Tong is the recipient of several awards in China including the Luo Zhong Li Scholar Prize in 1997 and the MeiYuan Cup Award for painting in 2000. He is also featured in several art publications in Asia.
















"Tong’s work is a compelling combination of light and contrast, specializing in landscapes and figurative work
that depict people moving along in their daily rhythms. His attention to detail is meticulous and hisportrayal of these life situations is accomplished with sensitivity and compassion."

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"I constantly pursue the essence of the Western and Oriental artistic path. Through the unique image and the
subject that I select, the variation of texture and colours, I strive to create a spiritual nourishment, so as to stimulate and sharpen the artistic intuition amoung us."


Tong Luo

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Sun Yongyin - 孙永印

March 12, 2013, 5:29 am
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Reknowned Chinese artist, living and working in Beijing. Famous work: series of oil paintings inspired by Xi'an's "Terracotta Army".



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Paul Lung

March 12, 2013, 6:43 am
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pencil graphite realism drawing


Love drawing so much, no matter to draw or watch other people draw, just about drawing, love that!! really love drawing.

To dear all art friends, well noted some of you are found my drawing from internet, but I need to clarify that, I also found some of the picture / photo (lion, tiger...etc) is not my drawing, don't know why, how come people put that as my work, if you feel disappoint that's not my drawing, please forgive me. But here, those were my real drawing, real work, hope you like them.

I don't work for commercial and commission work, I only draw for interest. and the drawing are not for sale










我真係好鐘意畫，無論係自己畫，定係人地嘅画，我都咁鐘意！大家都試下畫画啦！不過有一點我要提一提，係網上如果打paullung, 會搵到好多我嘅畫之餘，如果係貓狗以外嘅，老虎、𤠣子、牛呀，都唔係我畫架，個啲真係相嚟，唔知點解亦唔知幾時，比人入埋我數，如果你被誤導咗以為我啲畫真係咁似相，真係唔好意思！
Paul








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EAjna

March 12, 2013, 8:32 am
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"I'm a self-taught artist working mainly with graphite and colour pencils, but from time to time venturing into other fields of visual art.
I accept commissions via e-mail: esti.ajna@gmail.com

I started drawing pencil portraits in 2011 as a hobby, but since then this has turned into a real passion for me, and I can't even imagine my life without art anymore.

But I still feel like I'm just at the beginning of my artistic journey, experimenting with techniques, trying to find my style and themes, and hoping, that beyond "showing" beauty, once I'll be able to "tell" meaningful things through my art, thus being a real artist :) but I never want to stop drawing portraits, because I always enjoy creating something really personal and please my commissioners."

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Yin Zhixin

March 12, 2013, 10:55 am
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Yin Zhixin


"Yin Zhixin sculptures are voluminous, rounded and whimsical. Even the heads of the figures and hair (if any) of Yin Zhixin sculptures do not have any roughness whatsoever. The smoothness of the skin and human parts contrasts with the rugged, rippled texture of the female ballerinas’ dresses, emphasizing the delicateness of the human body. But Yin Zhixin works, despite the fact that the figures do not conform with modern “standards” of beauty, are appealing, and many people feel a sense of joy when they view the sculptures.
The influences on Yin Zhixin are clear: classical French artist Degas painted and sculpted ballerinas; Colombian artist Botero painted and sculpted oversized figures; and yet Yin Zhixin figures are still Chinese. Perhaps it is the slits for the eyes, which Yin Zhixin uses, or the small Chinese noses. It seems that Yin Zhixin is poking fun at such classical and famous Western artists in his works, by pointing out that even oversized girls can be beautiful ballerinas."  








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Wu Tong - 吴彤

March 13, 2013, 6:42 am
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Chinese Sculptor







Sorry, no information in english ...


余丁认为吴彤的

余丁认为吴彤的作品运用戏剧的含蓄表达体现传统修养，恰恰符合了中国语言的表达方式。另外，用三维雕塑语言传达二维语言平面构成，空间和平面的美感也在吴彤的作品中体现得淋漓尽致。此次展览共展出吴彤雕塑作品22件，曾获中国雕塑大奖的作品《国韵——生旦净丑》系列同时展出，据悉，本次展览将持续至6月30日。










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Diana Rudokienė

March 13, 2013, 7:32 am
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Diana Rudokienė








The first thing you will notice about Diana's works is its colors. They look as if they were alive but a little bit sleepy. The themes she chooses may look simple - everybody has seen something alike in a dream, but Diana makes them extraordinary.

When you look at the women in her paintings you may think that they are real person, but the painter says, that they are all fictional characters. It is dramatic, ironic and also sensitive - you can read it all in the look of her eyes.





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Lluis Barba

March 13, 2013, 2:38 pm
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Lluis Barba

"Passengers in the time The idea of incorporating characters in the works of the past emerge while thinking about how our brain have the ability to receive the extern references, as the image we receive across the retina, arrives us as an absolute fragmentation at the hypothalamus, where it reconstructs a virtual reasonable image, depending of the evolutive parameters of our sort. If our brain constructs reality we virtually, because I thought create my own virtual reality. Well, as I had always imagined would be being inside a work of art of the past, and tourists go to the museum to see “ arts master pieces”, non invasive way of incorporating within works by creating a rereading of their own masterpieces.

I also thought it was important not to lose our roots / our historical memory. Not the masters of the past we could not have come to carry out the work, we are doing now.

Always decide based on the concept that I pass, I make a relationship between "frivolous, glamorous, banality,... In contrast to – art. Thought and culture, through media personalities, the star system interrelated with artists, collectors, thinkers, scientists, tourists, homeless, marginalized and people of different ethnicity…-
Demonstrate the contrast between the marginalization of some and the wealth of others.

Demystifying - guns, nuclear, uniformed military tanks and ice clutching-
Mass consumption - multinational brands-
Handling - political and religious power-
Hunger - malnourished children, child exploitation, warns of pockets of poverty-

I incorporate the bar code tatoo like as a symbol of identity individual lost, homologation, alienation and massive consume.
I also think it is very important never lose our roots, certainly not our historical memory, not the masters of the past never could we have come to carry out the work we are doing now, for example:
Rembrandt: Gives us a clear dark, so useful in photography as in the film.
Leonardo: He set the foundation for what we now call multimedia artista contemporary sure if I would be working with new technologies
Duchamp: His contribution was the untying of objects and characters out of context, and turned them into conceptual or artistic objects.
Mondrian: Helped us to understand, because a work is well structured from the formal point of view, his theory of mass volume and color.

Decontextualized elements of a reality for them to another reality, use implicit messages in the play as the globalization of our society."


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BIOGRAPHY
Lluís Barba lives and works in Barcelona
Studies: Escola Superior de Disseny i Art Llotja. Escola Massana Centre d'Art-U.A.B. Barcelona

MUSEUMS AND PUBLIC COLLECTIONS
MACSSI. Museo de Arte Contemporáneo Sofía Imber. Caracas. Venezuela
MACBA. Museu d'Art Contemporani de Barcelona. Barcelona
MADC. Museo de Arte y Diseño Contemporáneo. San José. Costa Rica
MAVAO. Museo Alejandro Otero. Caracas
Museo Jacobo Borges. Caracas
Museo Marugame. Hirai. Japan
Museo Wifredo Lam. Arte Contemporáneo. La Habana
Museo Internacional El Cairo. Cairo
Museu de L'Hospitalet. Barcelona
Collection Berezdivin. Espacio 1414. Puerto Rico
Fundació Lluís Carulla. L'Espluga de Francolí. Tarragona
Fundació La Caixa. Barcelona
Fundació Futbol Club Barcelona. Barcelona
Fundation Daniela Chappard. Caracas
Fons d'Art. Ajuntament de Salàs de Pallars. Lleida
Fons d'Art. Ajuntament de Salou. Tarragona
Àrea de Cultura. Ajuntament de Torredembarra. Tarragona
Centre Cultural Tecla Sala. Barcelona
Centre Jujol-Can Negre. Sant Joan Despí. Barcelona
France-Secours International. Paris
Àrea de Cultura. Ajuntament de Torredembarra. Tarragona
Artothèque d'Art Anekdota. Paris
University of Psychiatry Heidelberg. Germany
Unicef Art. Barcelona
Instituto Cervantes. Tánger

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Christina West

March 13, 2013, 3:18 pm
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Christina West



"If I were not a visual artist, I probably would be a psychologist, because I find the interiority of others to be endlessly fascinating. And actually, a large part of what I enjoy about exhibiting my work is that it gives me an opportunity to study people in a controlled environment."
Christina West














b. November 27, 1980

Christina West is an avid people watcher with a dry sense of humor, active imagination, and an innate impulse to create with her hands. If you meet her and she stares at you a bit too long, she's probably just picturing you naked.

Christina West sculpts realistically rendered human figures that exist at a strange scale and exhibit bold, unnatural colors. The figures are frozen mid-gesture, inviting our gazes and encouraging projection about the nature of their actions.  Christina lives in Atlanta, GA where she teaches at Georgia State University. She received a BFA from Siena Heights University in 2003 and a MFA from Alfred University in 2006. Christina has been an artist-in-residence at the Archie Bray Foundation, The Bemis Center for Contemporary Art, and The Clay Studio in Philadelphia. Her work has been supported additionally by a grants and fellowships from the New York Foundation for the Arts, the George Sugarman Foundation, the Mary L. Nohl Artist Fund and the Southeastern College Art Conference.

Education
2006        MFA, New York State College of Ceramics at Alfred University, Alfred, NY
2003-04    Post-baccalaureate Studies, Alfred University, Alfred, NY
2003        BFA, Siena Heights University, Adrian, MI
summer 02    Studied Abroad in Florence, Italy, Santa Reparata International School of Art

Residencies
2011        The Clay Studio Guest Artist in Residence, Philadelphia
2010        Bemis Center for Contemporary Art, Omaha, NE
2008        Hallwalls Contemporary Art Center, Buffalo, NY
2006-07    The Archie Bray Foundation for Ceramic Arts, Helena, MT


Awards
2012    Ernest Welch School of Art and Design Summer Research Award
2011    Georgia State University Research Initiation Grant
2011    Ernest Welch School of Art and Design Summer Research Award
2010    National Council on Education for the Ceramics Arts (NCECA) Emerging Artist Award
2010    Ernest Welch School of Art and Design Summer Research Award
2009    Southeastern College Art Conference (SECAC) Individual Artist’s Fellowship
2009    Mary L. Nohl Suitcase Export Grant, Milwaukee, WI
2007    New York Foundation for the Arts Fellowship
2007    George Sugarman Foundation Grant
2006    Lilian Fellowship, Archie Bray Foundation, Helena, MT
2006    First Place, The Marge Brown Kalodner Graduate Exhibition, The Clay Studio, PA
2004    Third Place, National Ceramic Competition, San Angelo Museum of Fine Art











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Kris Preslan

March 13, 2013, 4:05 pm
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"Kris Preslan is a signature member of the National Watercolor Society, a signature and life member of the Transparent Watercolor Society of America, and member of  The American Watercolor Society, Watercolor West  and other national and state organizations.

Her favorite subjects are landscapes and urban scenes, but more importantly, she strives to paint with strong pigments and a wide range of values, often capturing through vibrant realism the memories of places she has been and to which she hopes to return."


“I paint because I have enthusiasm and passion for the process.  Art is my

therapy, my drug of choice”   

Kris Preslan












Recent Exhibitions and Awards


2012     Best of Show Award, Painter’s Showcase, Portland OR.
2012     Accepted into membership International Guild of Realism
2012    Watercolor West International Watercolor Society 44th annual juried exhibition, Brea, CA
2012    National Watercolor Society All Member Show, 2012, San Pedro, CA
2012    Accepted for publication in Splash 14 book
2012    Transparent Watercolor Society of America 35th Annual Exhibition, Kenosha, WI., John Dioszegi Award
2011    Northwest Watercolor Society, Waterworks 2011 Exhibition, Seattle, First Place Award.
2011    National Watercolor Society, 91st Annual Exhibition, Signature Award and Roger Armstrong Memorial Cash Award, San Pedro CA
2011    American Watercolor Society, 144th Annual International Exhibition, New York, NY.
2011    Watercolor Art Society-Houston, 34th International Exhibition, Merit Award
2011    Watercolor Society of Oregon Spring Annual Aqueous Media Exhibition,“Best of Show” award
2011    Emerald Art Spring National Juried Exhibition, Springfield, OR.
2011    Western Federation of Watercolor Societies..35th Annual Exhibition,  Albuquerque, NM.
2011    Transparent Watercolor Society of America  35th Annual National Exhibition, Kenosha, WI.
2010   Signature membership award, 34th Annual National Exhibition of the Transparent Watercolor Society of America, Kenosha, WI.
2010    Watercolor Artist magazine, December 2010 issue
2010    Watercolor West International Transparent show, juried member status
2010    National Watercolor  Society Annual Exhibition
2010    Member, Federation of Canadian Artists
2010   Award, Annual Rose City Art Show, Portland, OR.
2010    Accepted for publication in Splash 12 book
2010    Watercolor Society of Oregon 45th Aqueous Media Show,Brookings, OR.
2010    Western Federation of Watercolor Societies  34th Annual    Exhibition, West Valley, UT.
2010    Watercolor Art Society-Houston International Exhibition
2009    Watercolor Society of Oregon Fall Show, McMinnville OR.
2009    Transparent Watercolor Society of America National Exhibition,Kenosha,WI.
2009    Emerald Art Spring National Juried Exhibition, Springfield, OR.
2009    Watercolor Society of Oregon  44th Aqueous Media Exhibition,Astoria,OR.
2009    Lake Area Artists Annual Show, Second Place Award, Tualatin, OR.
2008    Selected for “Certificate of Merit and Samuel and Anne Seeman Memorial Award, Transparent Watercolor Society of America, Bloomington, MN
2008    Watercolor Society of Oregon Transparent Watercolor Exhibition“First Place Award”, Florence, OR.
2008    National Watercolor Society 88th Juried Exhibition, Riverside, CA.
2007    Watercolor Society of Oregon, Transparent Watercolor Exhibition, Prineville, OR.
2007    Watercolor Society of Oregon Annual Aqueous Media Exhibition, “Award of Distinction”, Portland, OR.
2006    Watercolor Society of Oregon Annual Aqueous Media Exhibition,Tualatin, OR.



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